Staying in the game: The best practices, attitudes, metacognitive strategies, and intrinsic motivations of aging musicians
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The Role Of Desire In Motivation

11/22/2020

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"Without desire, there is nothing to work with"
So much proverbial ink has been spilled on the topic of motivation and motivating the unmotivated.
  • intrinsic motivation: from within
  • extrinsic motivation: from without
  • compulsion: at the point of a gun, a subset of extrinsic motivation. Recall Hollywood drill sergeants 

​"Intrinsic motivation is motivation that is animated by personal enjoyment, interest, or pleasure. As Deci et al. (1999) observe, “intrinsic motivation energizes and sustains activities through the spontaneous satisfactions inherent in effective volitional action."

Author: Emily R Lai
Cited by: 83
Publish Year: 2011

This is an interesting article for all musicians and teachers. Some of the research driven theories covered include the role self-belief or " self-efficacy plays in success. Self-efficacy is the “judgments of how well one can execute courses of action required to deal with prospective situations”.

And, the role of the desire to achieve an end for it's own reasons and the desire to impress, or draw favorable attention to one's self.  As stated in the article, "mastery goals" or "performance goals". Intrinsic and extrinsic.

Regardless of the type of or nobility of the the desire, the strength of the desire leads to action or "volition".  In other words getting off one's butt and moving forward in the belief it is possible.

​David
 





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Covid-19 Lockdown Slouches Forward...

11/15/2020

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"And what rough beast, its hour come round at last, Slouches towards to be born?"
W.B. Yeats
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The inevitable lockdown is coming. Cases are soaring, too many people are ignoring health regulations through selflessness, willful ignorance, fear and stupidity.

Our return date to the rehearsal room, concert hall, teaching studio has been pushed back again. My guess until the late spring, early summer. Vaccines or no vaccines.  

My take on coming out the other side. I will be: 
  1. Networking, keeping relationships alive
  2. Practicing, taking the time to learn new repertoire, address those nagging deficiencies in my skills, exploring new musical avenues. 
  3. Continuing with coaches. In my case: piano and drums.
  4. Continue to work on eliminating my "Covid" belly. Eight months sitting on my ass, 6 extra pounds. Yikes.
  5. Follow all the health guidelines, ignoring stupid. 
  6. Take care of my students. Prepare for the post-Covid world. I don't' believe it will return to what we all had before March 2020. It will be a new world of creative possibilities. I'm pretty excited thinking about that. 
  7. Preserve my financial position carefully.

David

“Flexibility, improvisation, practicality, and the ability to recognize and respond to changing environments” ​
​
Berklee Credo
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The Role of Disgust in Motivation

11/14/2020

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Two generations apart, four decades, same message.

One day you just look inside yourself and say, "I've had enough", And then importantly, you take the steps and make the decisions that move you into a new positive re-direction. You work on building the relationships and infrasture that will support you moving forward. 

  • No more excuses, if you need help, you seek it out and follow through
  • No more evasions of responsibility
  • No more inaction from laziness
  • No more self-pity ruminating over past decisions
  • No more delusions of unearned accomplishments

In short, you take responsibility and address what needs to be addressed. 

Cheers, 
​
David
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The Rage to Master: Sustaining artistry in later life

11/8/2020

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It's starts with imagination. It's fueled by initiative. It perseveres through leadership, courage and singlemindedness. 
  • Becoming a competent musicians requires initiative, courage and singlemindedness. 
  • Becoming a music leader (band leader) requires  imagination, leadership, initiative, courage and singlemindedness.
  • Becoming an artist requires everything above plus inquisitiveness coupled with a deep obsession called the  "rage to master".  The rage to mastery is often found in children, but it must, I believe continue throughout the course of an artist's career. 
I invite you to read the interview and explore this idea further. Ellen Winner is not a blogger, but a researcher, a better place to start. 

Another fine place which discusses adults is here: Harvard's Project Zero. 



My two cents?
  1. Surround yourself with people who share your intensity. 
  2. Seek new experiences.
  3. Hang with younger creative people. 
  4. Stay on the road to mastery, who knows what one's potential is. 
  5. Do the work.

​Have fun. 

David
​
​David

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​Stay inspired, learn something new

11/6/2020

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​Stay inspired, learn something new

When you are young study with the old. When you are old study with the young.

The young need to discover a path. The old have been down more than one. The young need encouragement, the kind that comes from being surrounded by experienced successful people.

The old need a new point of view, renewal. Let’s face it without renewal our stories get older and staler each year.

“I used to be great”

Or worse
​
“I coulda' been a contender”
​
David


"I coulda' been a contender"  Marlon Brando as "Terry Malloy"
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Never too old to learn a new skill

11/1/2020

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Spent some time working with Blackmagic Design's Resolve today. Video editor. With the help of YouTube I've made some progress. I've learned how to add, crop, mix, and chop video clips, add cards and put in my own audio. Watch out Luis Buñuel. Seriously, this is going to work. I want to be able to add some polished videos on my sites and for my students.

Mark Kelso gave us a fine example of his skills with his students the other day. Click on the photo of the kids to listen.

​I'm inspired.

​Stay tuned. 
​

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    Author

    David Story: Professional pianist, drummer, composer, and educator. Well into his 5th enthusiastic musical decade, David works with adults pursuing musical dreams in the autumn of life, while he maintains an active presence in the Toronto arts scene.

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